Quick Thoughts After A Week In Montreal

Montreal's a great city. No doubt. I haven't spent any significant time here since about 1987, so it's fun and interesting to try to get to know the city a bit again. Frankly, this time I'm an urbanite, whereas last time I lived on the west island in the same suburban lifestyle that I've had most of my life.
So this time is a bit different. I'm living in Westmount, and commuting in the subwway (Metro) to work. No car, which is a different way for me to see the city. Better to experience the real city, probably, though I found it harder to get my bearings than I do in a car. Particularly because we travel underground a lot. But at least it's warm down there. The city has been pretty cold for my first week here. The natives are restless, with a much colder than typical winter now having overstayed its welcome.
I've found lots of good food here. That wasn't a surprise, but a welcome confirmation of my impression of Montreal. Coming from Vancouver, where food is cheap, diverse and excellent, I could easily have been disappointed, but I'm not. I do think restaurant food is more expensive here than in Vancouver, but it's based on a pretty small sampling to this point. The food has been interesting enough that i'm thinking I might start a side-blog with quickie restaurant reviews. But maybe I'll be too lazy for that.
I really like riding the Metro. It gets you across town efficiently and and without freezing. But it's noisy. Far louder than my normal living environment in Vancouver, and I'm finding that a bit disturbing. Noise blocking headphones/earbuds help some, but I don't wear them when traveling with my colleages.
I'm really looking forward to discovering the music scene here. So far I've seen/heard nothing. I don't even know anyone interesting in Montreal to follow on Twitter, so suggestions would be welcome. Oh, I guess I have Nikki Yanofsky, but that's about it. Tomorrow, I hope to get a visit to Steve's Music. I haven't been to the Montreal store since a trip my high school rock band made in a Volkswagen bus back in the late '70s. Should be fun to visit. I'm missing my regular visits to Long & McQuade around the Vancouver area.
Until today I've been pretty positive about the experience, but I found myself kind of down in the dumps at work this morning. Rather than join the lineup in the cafeteria at lunch, I decided to dash out and ride the Metro north to the end of the line at Cote Vertu. I didn't know what was there, but figured it was as good a place to explore as any other nearby. Somehow, fate must have been guiding me, as I walked a block south down Decarie from the station and immediately found Decarie Hot Dog.
This is a place I remember eating lunch with office-mates when I worked in Montreal in 1986/87. I had only a vague recollection of where it was, and previous searches on Google Maps hadn't turned up the location. Stumbling on it on a very short lunch break was completely unexpected, and very welcome. I sat down to the "traditional": 2 hot dogs, all dressed (with lettuce!), fries and a Coke. There were only a few people in the place when I was in, which surprised me a bit... I recall the place being elbow to elbow, and having to reach over people at the counter to get my food. It was the same friendly environment, though. No... they don't want your money up front... please enjoy your food and pay on the way out. This little diner has been in business since I was an infant, and I can see why... it's highly recommended for a little taste of tradition.
As I walked briskly back to the Metro, I found my mood had lightened considerably, and I proceeded to quite enjoy my afternoon. Rock on!
Long Hair and Mid-Air
I haven't written many blog entries in the past year, and I'm finding it odd that the reason is that I haven't been doing much business travel.
This is my first flight to Europe since late 2011. And I have been growing my hair since the last time I was there. I've gone from a short-haired computer geek to a rock star wanna-be in that short time.
After watching two movies it seems time to settle down during the dark of the winter night. Sadly, I started the trip with a discharged laptop battery and the Lufthansa A340 I'm in has no seat power (at least not in economy). So although I had hoped to put in a few hours of office work, I'm out of luck. And I'm thus writing another blog entry on my iPhone.
The soundtrack to this blog is Peter Frampton's incredible Grammy-winning Fingerprints album. It's now been a top pick for me for a few years. Not yet at the level of Miles' Kinda Blue, but getting there.
In the past few weeks I had arrived at the point of feeling like I needed new music, and have been a bit disappointed in the process.
First off, I had been waiting quite awhile for the North American release of an album I'd seen buzz about on Twitter. Sweet Billy Pilgrim (@sweetbillyp) is an indie band from the UK, and I found myself oddly compelled by their latest album Crown and Treaty. In the end, they did not release it on iTunes in Canada, and I waited while their website finally got able to sell direct.
Now, I can understand the view that you'll make more money per sale when selling direct. But honestly, my opinion is that this is creating a barrier to entry that will not maximize total sales. The same reason that iPods took over the digital music player industry holds for music sales as well. On a whim, anywhere I happen to be, I can buy a track in the iTunes store for a good price and have it immediately available to listen to. I have a few examples from past business trips where I bought music on the plane before we left the gate.
In the case of the Crown and Treaty album, when I finally got access to their store, there wasn't even a simple way to buy the whole album. You had to select each track separately, at a total well above a typical album purchase for me. So in the end, instead of buying the album, I bought only the one song from it that had been haunting me: Archaeology. If the album had been available on iTunes, they would have made $7 or so from me. Instead they got probably $2. And frankly I'm sorry, but that's business. The album's tracks can be streamed from sweetbillypilgrim.com. Check it out.
So, the other "new" music I bought was intended to re-inspire me, but has been less than totally awesome.
Beth Hart released a new album recently called Bang Bang Boom Boom. It's very good, but a bit further from my favorite tastes than the previous one with Joe Bonamassa. I think the new one feels a bit more "country", but my wife disagrees. And she is quite keen on this new one. Beth's voice is fantastic.
I truly loved the last Dream Theater album A Dramatic Turn of Events. That was my first Dream Theater, so knowing they're again recording a new album, I thought I'd buy something from the back catalog. In the end, I bought the previous one, Octavarium. It's quite good, but I found it "less" interesting than the Dramatic Turn one. It didn't floor me on initial listen, and although it's grown on me, I'm still not enjoying it as much.
I got in the mood for some ragtime and bought The Very Best of Scott Joplin, which was very cheap on iTunes and includes dozens of tunes. Very solid, though a bit much to listen to all the way through in one sitting.
Then Joe Bonamassa has teamed up with a different sort of outfit and released a Funk album with a group called Rock Candy Funk Party. The album is We Want Groove, and it's actually pretty good. I'm a bit of a funk fan, and feel so vindicated that Joe has validated this love. Maybe I'm not the only one who thinks of his influences as Blues-Rock/Jazz/Funk. I still find it disturbing that Funk isn't a category on iTunes, actually. I'd probably find lots on speculation if I could search for it by category. Anyway this album reminds me of early 70s funk in many places. Feels like low-ceiling rooms, dark lighting and cigarette smoke. There are a few real grooving tracks, though. Overall, probably the best find of the lot here.
Then I bought the brand new Steve Lukather Transition album. I really liked his last one All's Well That Ends Well. This one is decent, but feels a bit less inspired. I think I'll queue it up for another listen next, hoping that it keeps improving for me. The singing, in particular, seems weaker than his last album, which is too bad. There are really some very excellent guitar parts, which isn't a surprise from this guitar legend, much-demanded session guitarist, and member of Toto.
Well, from the north coast of Iceland, I'll call it a night. Rock on...