Believe it or not, here's another blog post written while flying across the Atlantic. This is sort of a follow-up to an entry from a year ago, where I said I don't have any Gibson guitars, yet think of myself as a "Gibson guy".
So, I finally did get myself a Gibson guitar. And yet the Nighthawk is very much like a Fender in a lot of respects. Nevertheless, perhaps this one guitar sums up why I was previously so torn.
I had seen this specific guitar at the home of an acquaintance, and it haunted me for months, though I hadn't even played or heard it. Early this year I had seen advertising for the new Epiphone Nighthawk, which further stirred my interest.
The first thing that caught my eye about these guitars was the diagonally placed humbucker pickup, and the total of three different types of pickups in the guitar. The second was the body shape... to my eye having pretty lines like a Les Paul, but somehow not quite right.
Anyway, a couple of months back I finally got my hands on one of the new Epiphone Nighthawk guitars at Long & McQuade music in Vancouver, and I just about bought it on the spot. I also handled one of the new 2011 Gibson Nighthawks as well, though it didn't have the 3-pickup configuration. The initial impression of these guitars was that they're significantly lighter than a Les Paul but otherwise feel rather similar. I really liked the feel of the neck, with a smooth low action and comfortable medium-profile neck cross-section.
In the end I was given the opportunity to buy the genuine mid-90s Gibson model for a good price, and I jumped on it after trying the guitar for a few days. The 2011 Gibson model was very nice, but more money than I was willing to spend, and the model I tried didn't have the pickup configuration I wanted. The 2011 Epiphone model was very nice, and a great price. Made in Indonesia, I didn't see any quality issues on the model I tried out, and would have been happy to purchase that guitar. But we have an Epiphone (Dot Studio) and I really wanted to own one Gibson.
The original Nighthawks were made by Gibson from 1993-1996, and were not considered a commercial success. I'll point out here that the same fate befell the now-iconic Les Paul and Flying V guitars at the beginning of the 1960s, only to be resurrected when Gibson realized how popular the used guitars had become. So also the Nighthawk, which was reborn (apparently significantly redesigned) as a Gibson model in 2009 and as an Epiphone this year.
Although the esthetic of this guitar is very Gibson, the guitar has a number of characteristics more commonly found on Fender guitars:
- the neck scale is 25 1/4" rather than the shorter scale common on Gibsons, which gives the strings more tension and a different feel
- the single-coil pickup, and coil-splitting tone pot (pull up on the tone knob to split the humbuckers into single-coil mode) offer up lots of chimy tones heard typically from Fender guitars (Stratocaster tones to my ears)
The 3-pickup model offers 9 different pickup combinations using the 5-position selector and the coil-splitting pot. The pickups are a mini-humbucker in the neck position, single coil in the middle, and a humbucker in the bridge position. I've been playing the guitar through a Fender Blues Jr III amp, and am amazed at the range of tones I get out of the guitar. The single coil and split coil modes give great glassy and chimy tones that I've never heard from this amp with my humbucker guitars. I really like the tone of the neck mini-humbucker as well, as it seems somehow different (in a nice way) as well.
Overall, the tone spectrum is so varied that I can see how this would become the go-to guitar for any occasion. And it's light enough to remain comfortable. So maybe now I can really claim I'm a Gibson guy.
From Beyond the Blogosphere
OK, well finally I return from wherever I really was for the past 6 months or more. Pretty sad, really, that I couldn't get my act together for a blog post. I have remained relatively active (for me) on Twitter, but this seemed more than I could manage for some reason.
Nevertheless, here I am again. I'll keep this post to a quick update on everything, and hopefully follow up with more detailed discussion of a few specific subjects soon.
My Music
In brief, I've recorded virtually nothing in the past year. The major renovation of our house was completed at the end of the summer 2011, and I should have been able to take over the new music room with gusto. I kind of did that, but without getting around to recording in it. That said, there's lots of music going on, whether it be noodling around on whatever guitar is handy, or getting together with friends for informal musical exchanges on a near-weekly basis.
I think I now have the setup I need to record all the instruments in the arsenal, and it's time to sit down and do just that. There's always something new flowing from my fingers, though taming it to the point of a decent recording is more challenging. I've actually been writing some lyrics in the past 6 months, which is almost a first for me.
I am significantly influenced (encouraged) by the musical interactions with my friends who come by weekly to share musical ideas. Whether it's an attempt on a cover tune of some sort, or exploring originals from the guys, it's always interesting and pushes and pulls me to move forward. I was sad to see a key member of our posse say goodbye at the end of 2011 and return home to England... his influence is still felt in the room, but sadly his great fingerstyle guitar playing is missed. We've added a new face as a result, though, which pushes some new influences into play. Always for me it's a good time when sharing music with others.
My Instruments
As is my nature, and my luck, I tend to find myself with new instruments every now and then. Although I think of myself primarily as a guitarist, I'm by no means particular about it. I welcome any instrument into my home. And we have a couple of weird ones, which I suppose I should discuss at some point in the future.
Since last summer, there are a few new items of note. For the most part, I tend towards quite affordable instruments (quantity over quality, perhaps):
My Consumption of Music
The best concert I've seen in a long while was Joe Bonamassa, who I managed to see twice last December. I drove to Seattle for the first show with two buddies, and had a really great guys evening out road trip. Seats were way up high and off to one side of the auditorium, but the sound was great after the first few songs. Two nights later, I saw Joe again with my wife, sitting in row 6 at the Orpheum theater in Vancouver. The show was definitely better from close up, but the sound was pretty similar in both settings, and the sets were virtually identical. I was sad not to see my favourite of his songs, though: Stop! Ah, well, we can't have everything.
I have purchased a few albums over the past months (as usual), and this latest batch includes:
You can see that most of these have been pretty solid. The one I have liked the most, and played a LOT is the Dream Theater album. I wasn't previously a fan, but have found this to be enduringly enjoyable.
My Reading
In the area of music, I have enjoyed the following over the past months:
I also have enjoyed a number of other books, though I often find business inspiration from the music industry stories as well. On the business side:
Novels:
Well, as usual it's past bedtime, so off I go. Thanks for reading. Let me know what you're reading or listening to that i should have a look at.
Cheers
Dave